When I read a historical novel set in medieval England, I feel like I’m on at least moderately familiar ground, as I’ve read so much set in that era. I’m even beginning, due to last summer’s reading binge (and HBO) to feel a little at home in ancient Rome. But there’s a special kind of pleasure in reading a historical novel set in a place and time I don’t know well. Pauline Gedge’s books about ancient Egypt (this is the second series of hers I’ve read) fall into this category.
It’s definitely more work, to try to enter imaginatively into a country and an era that are so alien to me, but Gedge paves the way beautifully, creating a vivid and realistic Egypt. Her descriptions are good and her research is obviously exhaustive — yet doesn’t intrude too much on the narrative. These two books, the first two of a trilogy, tell the story of Huy son of Hapu, born a peasant, who rises to become the titular “Seer of Egypt.” Huy is a believably complex character, as are his family, friends and associates, and I was intrigued by his story and interested in its outcome from the very beginning.
Christian author Philip Yancey has given me a lot of encouragement over the years. In one of his other books, Soul Survivor, he writes about 13 people, many of them writers, who salvaged his Christian faith when it might have hit the rocks. If I were ever to make my own Soul Survivor list, Philip Yancey would be on it. His compassionate, grace-filled, not-afraid-to-doubt view of evangelical Christianity has provided me with one of the anchors of my spiritual outlook.

Although I enjoyed some works of young-adult historical fiction when I was a kid, The Sunne in Splendour is the first big, chunky, blockbuster of an adult historical novel that I picked up and read soon after leaving my college days behind. I’ve reread it a few times in the intervening years, most recently over this Christmas break. I have to say that for me, this novel, along with Margaret George’s The Autobiography of Henry VIII, sets the gold standard for historical fiction. Everything else has to be weighed in the balances and, usually, found wanting.