I’ve read Sarah Dunant’s two previous novels about women in the Italian Renaissance — The Birth of Venus and In the Company of the Courtesan. Both are good novels, but I found Sacred Hearts brilliant, my favourite of the three by far.
This could be because it’s set in a world that’s always fascinated me: a convent. In medieval and renaissance times, convents were a lot of things — a dumping ground for unwanted or unmarriageable women; a prison for women who didn’t want to be there, but also a haven where at least some women could experience the freedom to exercise skills (artistic, administrative, or other) that they would have no scope for in the outside world.
Both aspects of convent life are clearly presented in Sacred Hearts, the story of an unwilling teenager, Serafina, sent to the convent after she disgraces herself by falling in love with her music master. Serafina longs for freedom, a chance to escape and run away with her beloved, but as she slowly and reluctantly becomes part of convent life she becomes much more than a reluctant novice — she becomes a pawn in power games that are being played out within the convent, reflecting even greater power struggles in the world beyond.
The Winterhouse is a jewel of a historical novel, focusing on two rarely-explored threads of Newfoundland heritage. One concerns the Jewish presence in Newfoundland, the other the tradition in some outport communities of spending the harsh winter months in a “tilt” or “winterhouse” in the woods, protected from the more severe weather by the ocean.
Before I even review this book, I want to tell you about a great contest with a chance to win the book. Go to author
I’ve read and reviewed a couple of previous books by Lisa Samson and stand by my conviction that she is one of the best, freshest voices in Christian women’s fiction today. Quaker Summer is probably my favourite of her books so far. It combines the strong characterization of a novel like The Passion of Mary-Margaret with the concern for Christian social justice found in the book Justice in the Burbs, which Samson co-authored with her husband.
It’s impossible to talk about Lev Grossman’s The Magicians without referencing both Harry Potter and the Chronicles of Narnia (seriously, go look for a review of the book that doesn’t mention either of those two fantasy classics). But I doubt Grossman would mind, because the parallels are obviously intentional. Grossman’s main character, Quentin Coldwater, is a brilliant but unhappy New York teenager who grew up reading a series of books about English children who find their way into a magical land called Fillory — an obvious Narnia parallel (though there are echoes here of other children’s fantasy classics, right down to Alice in Wonderland). Preparing to leave high school for university, Quentin finds himself transported instead to a top-secret school for magicians.
When I was growing up, Seventh-day Adventist kids’ books were characterized by a kind of didactic earnestness. Bad deeds were punished, good deeds were rewarded, and lessons were always learned. Adults and other authority figures were always right and trustworthy.
First up: great title! Or rather, great subtitle. In a world where many people are exploring connections between different religions while others entrench themselves ever more firmly in their “unique” beliefs, many readers will be curious to know what a “Muslim Atheist Jewish Christian” might have to say about God.