(Note: this review contains spoilers. If you haven’t read The Diviners, I do give away a few major plot points here, though I’d argue it’s not primarily a plot-driven novel so that may not matter as much. Still, be warned).
This might just be my favourite book of all time, and I haven’t re-read it in at least 20 years. I went back to it this week in preparation for making a Writing Wednesday Book Talk video about it, and was happy to discover that it delighted and moved me just as much this time as it did the many times I read it in my early to mid-twenties.
Margaret Laurence published The Diviners forty years ago this year, in 1974, and won the Governor-General’s award for fiction. It was her last major novel, the fifth and crowning book of five novels set at least partly in the fictional Manitoba town of Manawaka (a town similar to Neepawa, where Laurence grew up). Together, these five novels (this is assuming you count A Bird in the House as a novel, though you could also call it a collection of short stories) chronicle the lives of women from this town — you have to say “from” rather than “in” because all Laurence’s major characters eventually leave Manawaka, though none ever escapes the hold the town has over them — over a time period that begins with young Hagar Shipley, heroine of The Stone Angel, growing up in the 1890s when the town is new, to middle-aged Morag Gunn, heroine of The Diviners, writing about Manawaka from her new home in Ontario in the early 1970s.
In fact, although The Diviners is not purely an autobiographical novel (when people said it was, Laurence was fond of pointing out that “I have two children, not one, and neither of them is the illegitimate child of a Manitoba Metis”) the parallels between Laurence writing The Diviners and Morag writing the book that she’s writing in The Diviners are many and obvious. Which leads to the first of three reasons why I think this is such a wonderful and important novel.