Category Archives: Fiction — fantasy

The Kingdom of Copper, by S.A. Chakraborty

kingdomofcopperI can’t say much about this second volume of Chakraborty’s Daevabad trilogy without rehashing things I said last year when I read and raved about the first volume, City of Brass, except to say that this book does just what you hope a sequel will do: pick up the threads left hanging at the end of Book One, weave them into a new and exciting tapestry, turn everyone’s world upside down, and leave you breathless, waiting for the next volume.

Nahri, the main character we met at the beginning of City of Brass, has come a long way from the street-wise urchin of that book, living in the human city of Cairo and believing herself to be human, unaware of a whole other world parallel to the human one. Now she is a princess in Daevabad, the magical city of the djinn, the city’s most respected healer and last (known) survivor of the powerful daeva family that once ruled the city. The troubled prince who once befriended her, Ali, is now in exile outside the city, even more troubled by strange new powers. And as for Dara, the powerful, ancient daeva who first introduced Nahri to the world of the djinn and served as her protector and guide — well, after dying (not for the first time!) at the end of City of Brass, his story isn’t exactly over either, and contains stranger twists than we might have imagined.

This story barrels forward to an inevitable clash of several different opposing forces, each with their own agendas for the future of Daevabad, and frankly, I’m not sure I can wait another year (or more) for the sequel. In a world where you can’t always tell easily who are the “good guys” and “bad guys,” because everyone has their own cause and the author elicits both sympathy for all the characters, and revulsion at what they’re often willing to do to achieve their goals, what a “happy ending” for this series might look like is impossible to predict. This is the fantasy series I’ve loved most in recent years and I will be thrilled to see what happens in the conclusion.


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Split Tooth, by Tanya Tagaq

splittoothI picked up Split Tooth because it was long-listed for the Giller Prize and I’ve been (as you probably know if you follow this blog at all) trying to diversify my reading list, so I was looking specifically for books by indigenous writers. I glanced at a copy in the bookstore and added it to my library hold list without knowing too much about what Split Tooth was actually about.

As it turns out, it’s a hard book to classify. If you follow this blog AND pay any attention to the category tags, you’ll see that I’ve categorized this book as General Fiction, Fantasy, and Memoir. Much of the early part of the book feels like memoir, though of course I don’t know how closely it tracks with the author’s real-life experience since it’s not marketed as memoir. It’s a vivid, first-person story about a young girl growing up in the high Arctic, interspersed with poetry. Partway through the book, the narrative pieces begin including elements of mythology/magical realism, and by the end it becomes clear the narrative has veered very far from realistic fiction (or memoir) into the realm of the mysterious, strange and mythical. It’s very unusual but also very beautiful.

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Children of Blood and Bone

bloodandboneThis YA fantasy, first in a planned series, is based in a fantasy-world version of Nigeria and the magical system is rooted in Nigerian mythology. This made Children of Blood and Bone a really appealing read, because I’m always interested in fantasy that’s set in something other than a vaguely-medieval-Europe and that draws in elements of other cultures.

However, while I really appreciated that aspect of it, I did find that beneath the cultural diversity this was a fairly standard and predictable fantasy, featuring a small band of teenagers (conveniently paired into romantic couplings) fighting against deadly odds to collect a group of three esoteric artifacts and take them to a significant spot before a key deadline to unlock ancient magic. There are a few twists and turns I didn’t see coming, which is great, but I wish the plot and characterization had been as fresh and original as the setting.

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The Map of Salt and Stars

saltandstarsThis was such a beautiful and engrossing book. It tells two parallel stories. In the present day (well, the recent past — 2011), twelve-year-old Nour moves back to Syria with her mother and two older sisters. The family has been living in the US, where Nour was born, but with her father’s death from cancer they return to the parents’ home country — just in time to find it torn apart by civil war.

Nour’s story is told in alternating chapters with a story she remembers her father telling her — the legend of Rawiya, a teenaged girl who disguises herself as a boy to travel the Middle East in the company of a famous mapmaker. (The mapmaker, al-Idrisi, is a real historical character, but the Rawiya legend is invented by the author for this book). While I enjoyed the Rawiya story, which combines historical and mythical elements, it was Nour’s contemporary story that really grabbed my attention.

For those of us whose only exposure to the Syrian war comes through news stories featuring devastated refugee families, we may not have given a lot of thought to how those people became refugees. In Map of Salt and Stars, we see how Nour’s family goes from the an ordinary middle-class life consumed with sibling squabblings between the sisters and attempting to get past grief at their father’s death, to living as refugees on the run with only the clothes they are wearing when their apartment building in Homs is bombed just as they are about to sit down to dinner. The story demonstrates with shattering detail how quickly ordinary people living ordinary lives can lose everything and become homeless and desperate when civil war erupts around them. Although the author is Syrian-American and did not live in Syria during the war, she has certainly created what feels like a believable picture of a young girl and her family navigating these horrific events, trying to stay together and hold onto hope.

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The Humans, by Matt Haig

thehumansThis was a beautiful, beautiful book. I liked Matt Haig’s How to Stop Time, but I loved this novel, which came highly recommended by a friend whose taste I trust. The main character of The Humans is an alien who, for complex reasons, is operating undercover as a human, living among humans and trying to figure out what makes them tick. The novel is funny, sad, poignant and suspenseful — and, much like How to Stop Time, it’s a reflection on what it means to be human. With all our flaws as a species, we know how to love — or at least we try. And for the sake of that, an alien might even be willing to give up perfection.

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Artemis, by Andy Weir

artemisAs you know, I’m not much of a sci-fi reader (so much not, in fact, that I don’t even have a category here on the blog for sci-fi, and on the rare occasion I do read a sci-fi novel I have to tag is as “fantasy” because that’s the closest category I’ve got. One exception to my lack of love for sci-fi was Andy Weir’s first novel, The Martian, which I loved long before it became a hit movie. Unfortunately, I didn’t enjoy Artemis nearly as much. It’s a fun, fast-paced read, but it has some real flaws that kept me from getting into it.

Artemis is set on a near-future moon colony. There’s a lot to like about it — the diversity of the community, the sciency-tech stuff that sounds more or less believable to a non-science person like me but isn’t jargon-y enough to put me off (though there’s a lot more welding detail in this novel than I needed) and a pretty neatly-constructed plot that starts off as a sort of scam/heist plot, but turns into a save-the-moon-colony plot.

However, the main character, Jazz Bashara, is hard to like. That’s not always a bad thing, but Jazz is a young woman (it was irritating to me that I could never figure out exactly how old she’s supposed to be and I’m positive this is not inattentive reading but due to some actual mistakes the author made in continuity) who’s sort of an amoral con artist. Actually, going back to an earlier review, she’s not entirely unlike Vin in the Mistborn series or Nahri in City of Brass, and she also kind of reminds me of Harry Harrison’s Stainless Steel Rat character, but without enough motivation for me to fully understand why she is the way she is. Also, I’m not one of those female readers who believes no man can ever write a female main character well — lots of male writers do, regularly. But Jazz often feels to me like a woman written by a man who keeps reminding himself that the character is a girl and he has to throw in some woman-y stuff — and when he does, it doesn’t always feel entirely believable. I didn’t give up on the book and I did think the plot was nice and tight, but it’s certainly not as memorable as The Martian was.

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The City of Brass, by S.A. Chakraborty

cityofbrassThis is the most engrossing, engaging new fantasy novel I’ve read in awhile. Set in the Middle East in the late 1700s and drawing heavily on Islamic mythologies about djinn and other magical creatures, this is a wonderful debut and I was only disappointed to realize that it’s the first of a trilogy and I have to wait for the next two to come out (I hate to wait).

On one level, Chakraborty is playing with some pretty familiar fantasy tropes. I tried to describe the plot to my husband, who also loves fantasy although we often feel quite differently about books. “So there’s this young girl, Nahri, who lives on the streets and is kind of a thief and a con artist, and she has these powers but has no idea what they mean or why she has them…”

“So, like Vin in Mistborn?” says Jason.

The thing is, he loved the Mistborn books and I … did not. And I found Vin’s character really irritating. I loved Nahri in City of Brass, but when he said that I had to admit … yeah, it is kinda the same thing. And then I went on,

“So she accidentally calls up a djinn, and she finds out that she’s part-djinn too, and she has to go to –“


“No, she has to go to Daevabad, which is this magical djinn city…”

“So basically, Hogwarts for djinn.”

So yeah, there are some familiar fantasy tropes here, but I found them really well done. Yes, Nahri is the classic kid-from-nowhere-who-turns-out-to-be-someone-secretly-powerful, and yes there is a romance plot that could be seen as a bit predictable, though I think the combination of the author’s writing style and the Middle Eastern backdrop kept me intrigued. (Also, the romance plot may be familiar, but the love interest is smoking hot, and not just metaphorically). But interwoven with Nahri’s story is another story, less familiar — that of Ali, second son of the king of Daevabad. Ali’s story is one of power struggles and palace intrigue, of a king who is holding in balance a (gorgeously depicted) city of unruly magical subjects, in which two very different groups of people — the shafit and the daeva — both believe they are marginalized and being treated unfairly by the king (but also hate each other and are easily used as weapons against each other). As Nahri and her djinn guide reach the city and her story begins to interweave with Ali’s palace plots, things hurtle toward a violent conclusion from which the eventual endgame of the series is anything but predictable.

Book 2 comes out next January, and I will be downloading it as fast as it’s available. I can’t wait for the rest of this series.

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